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Barber and stylist talk · Updated

What to tell your hairstylist: the words for length, layers and bangs

Tell your stylist five things: the length you want at the longest point, where the shortest layer should land, whether the ends are blunt or layered, which fringe you want (if any), and how you style your hair on a normal morning. Bring photos of the cut on hair like yours, and touch the spots on your own head where things should fall.

By Fitcut · Published · Updated · How we write these guides

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What should you tell your hairstylist?

Many disappointing salon visits start with words that mean different things to different people. “A trim”, “some layers” and “shoulder length” each cover a wide range of haircuts. Stylists work from things they can see: where a line falls on your head, how your hair behaves as it dries, and how much time you'll give it each morning. Give them those, in this order.

  1. The length at the longest point

    Touch the spot where your longest hair should end once it's dry: jaw, collarbone, shoulders or below. If the front and the back should differ, say which is which.

  2. Where the shortest layer lands

    Layers start somewhere, so name it: the cheekbone, the chin or the collarbone. If you want no visible layers at all, say “one length”, or ask for weight to be taken out inside only.

  3. Blunt or soft ends, and the shape at the back

    Blunt ends look thicker and heavier; point-cut ends look softer and move more. On long hair, say whether the back should be straight across, a U or a soft V.

  4. The fringe, or no fringe

    Curtain bangs, a side-swept fringe, full bangs, face-framing pieces or nothing at all. If you're unsure, ask for something long enough to tuck behind your ears while you decide.

  5. Your normal morning

    Say whether you air-dry, blow-dry or use a flat iron, and how long you'll really spend. A cut built for a round-brush blowout looks unfinished when it's left to dry on its own.

Photos help more than adjectives, as long as they show hair like yours. Bring the cut on someone with your curl pattern and roughly your density, from the front and the back if you can, and say what you like in each one: the fringe in one, the length in another. A cut photographed on very thick, straight hair won't sit the same way on fine waves.

How do you describe length so it isn't cut too short?

Use your body as the ruler. Landmarks are easier to agree on than numbers, and they don't depend on how the stylist measures. Before the first snip, ask them to hold up a section and show you where the line will fall.

Length landmarks and what to say
Jaw or chinSay this“Ends at my jawline when it's dry, not above it.”Watch forWaves and curls spring up as they dry, so a line set at the jaw while wet can finish higher.
CollarboneSay this“Touching my collarbone, blunt or with light long layers.”Watch forThis is where a lob sits; the catalog lists it as close to universal.
ShouldersSay this“Resting on my shoulders, not past them.”Watch forSay whether it should clear your shoulders or rest on them, because that changes how the ends sit.
Below the shouldersSay this“Keep my length; dust the ends and shape the layers.”Watch for“Dust the ends” means taking off only the very tips. Say it if you're growing your hair.

If you only want split ends removed, say exactly that. “A trim” has no standard size, and neither does “a little off”. Showing the amount between two fingers is clearer than either.

What do long layers, face-framing and a shag actually mean?

Layer names get used loosely, so check that you and your stylist mean the same thing. These are the definitions Fitcut's catalog works from.

  • Long layers: layers that start around the chin and run down, with a U or soft V shape at the back. See long layers.
  • Face-framing layers: shorter pieces at the front only. On the butterfly cut they start at the cheekbone, over long layers that keep the length.
  • Shag: choppy layers with volume at the crown, short layers framing the face and usually curtain bangs. See the shag.
  • Wolf cut: heavy layers at the crown, thinned-out lengths and a back that leans toward a mullet. See the wolf cut.
  • One length: no internal layers and a blunt outline, like the long one-length cut or a lob cut blunt.
  • Invisible layers: weight taken out inside with point or slide cutting while the outline stays solid, which is how the Italian bob copes with thick hair.

The table puts six common salon cuts side by side in the terms a stylist uses. Every value comes straight from the catalog, so it matches the style pages.

Six salon cuts in stylist terms
Lob (long bob)Length on top10–12 in (25.5–30.5 cm)Fringe—TechniqueBlunt or light long layers; bevel the ends under or outRecut every8–10 wk
Long layers (V or U)Length on top14–20 in (35.5–51 cm)Fringe—TechniqueU- or soft V-shape at the backRecut every8–12 wk
Butterfly cutLength on top6–8 in (15–20.5 cm)FringeFace-framing layers starting at the cheekboneTechniqueKeep the length; long layers; cut for round-brush blowoutsRecut every8–10 wk
ShagLength on top3–5 in (7.5–12.5 cm)FringeCurtain bangsTechniqueChoppy layers with volume at the crown; cut to air-dryRecut every6–8 wk
Italian bobLength on top8–10 in (20.5–25.5 cm)Fringe—TechniqueInvisible internal layers (point or slide cutting); keep the perimeter solid; curly hair: cut it a little longer, dryRecut every6–8 wk
Curtain-bang layered cutLength on top4–6 in (10–15 cm)FringeCurtain bangs parted in the centre, longest at the cheekbone (bang trims every 3–4 weeks)TechniqueLayers; curtain bangs cut longest at the cheekboneRecut every6–8 wk

Read the length column with care. For the layered cuts it's the length of the top and crown section; for one-length cuts such as the lob and the Italian bob it's the overall length measured from the crown. On a layered cut neither is your longest point, so name that separately, using the landmarks above.

The recut column is how often to rebook so the shape holds. Bangs usually need a quick tidy between full appointments, and the fringe column says how often wherever the catalog records it.

Which bangs should you ask for?

Fringe styles and how to ask for them
Curtain bangsWhat it looks likeParted in the centre and longest at the cheekbone, blending into layers, as on the curtain-bang layered cutThink twice ifA cowlick at the front splits a centre part
Side-swept fringeWhat it looks likeA long fringe from a deep diagonal part, blended into the layersThink twice ifRarely: the catalog lists it as close to universal, and it can follow a front cowlick
Brow-grazing bangsWhat it looks likeSoft, full bangs that just touch the brows, as on the French bobThink twice ifYou have a low forehead, a front cowlick or heavy glasses frames
Full blunt fringeWhat it looks likeThick and straight across at the brow, lightly textured so it isn't heavyThink twice ifYour hair is 3A or curlier, you have a cowlick, or you wear heavy frames
Face-framing piecesWhat it looks likeShorter lengths around the face with nothing across the foreheadThink twice ifYou want the forehead covered, since these sit at the sides

The fringe is the part of a cut that reacts most to growth direction. If you have a cowlick at the hairline, show it to the stylist before they start; the cowlick guide explains which part works with it. If you wear glasses, the glasses guide covers how heavy fringes and frames meet.

How do you ask for a cut on curly or wavy hair?

Arrive with your hair dry and styled the way you normally wear it, so the stylist sees your real pattern and where each curl sits. Then ask how they cut curls, wet or dry, and how much length they leave for shrinkage. A stylist who cuts curls often matters more than any single method.

You'll hear three trademarked methods named. Here is how each brand describes its own:

  • DevaCut, from DevaCurl: one of the first curl-by-curl cutting techniques made for curly, coily or wavy hair. It's cut dry: the hair is washed and dried first, so the stylist can see where the curls naturally fall [2].
  • Rëzo Cut, from Rëzo Salon: a dry-cutting technique for curly, wavy and textured hair, customised to your curl pattern [3].
  • Carve and Slice, from Ouidad: done on wet hair, cutting at an angle to take bulk out of the sides so curls don't settle into a pyramid shape [4].

So the methods disagree even on wet versus dry, which is why asking beats assuming. Fitcut's catalog borrows two of the names only as shorthand for a shape: “Deva-style” on the curly rounded cut and “Rezo-style” on the curly shag. Those pages explain who each one suits.

What do you tell a stylist when you're growing your hair out?

Say it first: “I'm growing it out.” Then ask for three things: keep the length, take off only the damaged ends, and reshape the front and the layers so the cut looks intentional at today's length. Curtain bangs or face-framing pieces are a common bridge, because they give the in-between stage a shape.

Keep booking, just less often. Each shape on the way has its own interval: the bixie keeps its outline for 5–7 weeks, and the lob for 8–10 weeks. The whole route from a pixie to long layers, with the cut to request at each stage, is in the grow-out guide.

Which of these cuts don't suit fine, curly or no-heat hair?

Every cut in the table has limits. These come from the catalog's cautions, and Fitcut's analysis checks your hair against the same limits when it ranks cuts.

  • Butterfly cut: built for 1B–2C hair at medium to high density, finished with a round-brush blowout. Fine, low-density hair loses the volume it needs, tight curls fall outside its range, and without heat tools it looks unfinished.
  • Long layers: on fine hair a V-shaped back thins out the ends. Ask for a U shape instead.
  • Shag and wolf cut: both need medium to high density. On very fine, sparse hair, choppy layers remove the bulk that holds the shape.
  • Italian bob: tight curls (3B and curlier) spread into a triangle at this length, and an end right at the jaw draws the eye to a square jaw or a large chin. It's also the wrong pick if you want to keep length past your shoulders.
  • Curtain-bang layers: a cowlick at the front works against the centre part.
  • Lob: the catalog lists few cautions, which makes it the dependable middle option if you're undecided.

Not sure whether your hair counts as fine, or how dense it is? The hair type guide shows how to check both at home before you book.

Exactly what should you say in the chair?

Copy this, fill in the brackets on your phone, then read it out or show it. It covers each of the five steps above.

Stylist script (fill in the brackets)

Hi! Here's what I'd like:
- Length: keep [jaw / collarbone / shoulders / below the shoulders] at the longest point, measured dry.
- Layers: shortest layer at [cheekbone / chin / collarbone], or no layers, one length.
- Ends: [blunt / soft and point-cut]. Back: [straight across / U / soft V].
- Fringe: [none / curtain bangs / side-swept / full].
- My hair: [straight / wavy / curly / coily], [fine / medium / coarse] strands, [low / medium / high] density.
- My routine: I [air-dry / blow-dry / use a flat iron] and spend about [time] on it.
- Please don't: [thin out the ends / use a razor / go above my shoulders].
Can you show me where the shortest piece will fall before you start?

Speak up, or pause the appointment, if any of these happen:

  • Cutting starts before anyone asks how you style your hair on a normal day.
  • Curly hair gets its length set while soaking wet, with nothing left for shrinkage.
  • Thinning shears come out on curls without a conversation first.
  • Nobody shows you where the shortest layer will land.

Want the specs for your own hair first? Fitcut's free analysis reads your texture and density from one photo, asks whether that looks right (you can correct the curl pattern) and ranks cuts against them; members get a card per cut with the length, fringe and technique to read out. The face shape detector measures your proportions too, though Fitcut's ranking gives your hair more weight than your proportions.

Questions

Should my hair be wet or dry when I explain what I want?
Dry, and styled the way you usually wear it. The stylist sees your real length, your part and how your texture sits, all of which wet hair hides. It matters most for curly and wavy hair, which springs up as it dries.
What counts as a trim?
There's no standard. One stylist takes off the tips, another takes off a layer's worth. Say “split ends only”, or show the amount between two fingers, and ask them to confirm before they cut.
How do I ask for less thinning out?
Say “please don't thin the ends”, or “take weight out from inside only and keep the outline solid”. The second request is the idea behind the invisible layers on an Italian bob.
What photos should I bring?
Two or three photos of the cut on hair with your pattern and roughly your density, front and back if you can, plus a note of what you like in each. A photo of your own hair on a good day helps as well, because it shows what your texture does without effort.
How often should I rebook?
It depends on the cut. In the catalog a lob holds for 8–10 weeks and long layers for 8–12 weeks, while curtain bangs need a quick fringe tidy between full cuts. The recut column in the table above lists each one.

Sources

  1. Study guide to Milady Standard Cosmetology, chapter 14: Principles of Hair Design (PDF) (opens in a new tab) · accessed
  2. DevaCurl: The DevaCut, a game-changer for curls (opens in a new tab) · accessed
  3. Rëzo Salon: the Rëzo Cut (opens in a new tab) · accessed
  4. Ouidad: 5 rules for cutting curly hair (Carve and Slice) (opens in a new tab) · accessed

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